Tarots Milà: Alchemy's numbers

Milà House by the Spanish architect Antoni Gaudí might be related to alchemical variances of Tarot that, once joined, lead to Triumph.

This very section, Art & Mancies, counts on other article dedicated to Gaudí, where his birth chart is related to some of his most famous works. Gaudí of the seas includes several graphs and also the hypothesis of an astrological rising sign for the artist, according to his working style and art pieces. Among them, Milà House in Barcelona (Spain) is a big house that provided clues to deduce a lot of data. Built between 1906-10, it includes a famous top-roof that might be related to different ways to count Tarot cards: staircases and chimneys are connected and create several paths that can be transited in several ways, too.

1. Astrology & Tarot
2. Tarot: minor cards
3. Tarot: major cards
4. Tarot: the deck
5. Astral deviations and omissions
6. 0, 1 & Alchemies
7. Majors with 0
8. Minors & Elements
9. Alchemical numbers
10. Cards transformations
11. Decks & Planets

I. Astrology & Tarot

Chimneys and entrances on the top-roof are part of an architecture that shows Gaudí's birth chart, such as he considered it, with some planets standing out, dynamics for the Sun, Mercury and Saturn, and a Part of Fortune that, according to the way it is inserted on paths, is dismissed and shows the intention and free will of the artist.

Touch the image for details. Milá House's top-roof. 12 signs (transparencies), 4 planets and 2 lunar nodes in entrances (white), 6 planets and the Part of Fortune in chimneys (red).

In this article, the same design will be considered as a representation of the 78 Tarot cards, depending on the quantity and distribution of architectonic elements inside of the area.

Perimeter and inner spaces, staircases and chimneys, grouped and solitary elements, are all metaphors of inner and outer experiencies, of processes and states, of walking alone or with company.

II. Tarot: minor cards

Groups of staircases are in borders all across the top-roof's perimeter, and represent zodiacal signs. Steps boxes are made of marble, stone and recicled ceramics, monochromatic, since Gaudí used to mix residual elements in decoration. Each one of the steps boxes, along with specific chimneys (5 and 24), are part of a set of 56 elements, such as the Spanish deck or Tarot minor cards are.

Staircases include 3, 4 or 5 steps boxes. Chimneys taken into account are those of Mars and Jupiter (5 and 24).

To appreciate it, it's necessary to watch it in detail, since chimneys on slopes (on the same steps boxes) or in areas of inferior level must not be counted. The two chimneys that are considered are placed between entrances, in areas similar to platforms or plateaus. The reason is explained in the item Majors with O.

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III. Tarot: major cards

The top-roof is visually composed by two big sectors, with two inner holes between them (called here "viewers"). There are 16 stairs, 12 placed across the perimeter and other 4 around the holes, which are surrounded by 22 major cards.

Major ones surround the "viewers".

The sequence of cards represent inner experience, started with 0. For counting, groups of chimneys are considered as unities, and when they're absent, we must count steps boxes. It starts with The Fool 0, in the entrance assigned to the North Node of the artist in Cancer, and next 5 chimneys represent the Sun or card 5 The Hierophant (Pope, The Hierarch, depending on the deck). A small bridge placed inside of the viewers continues the counting, leading to a group of 6 chimneys that represent Saturn or card 6 The Lovers. Other 5 steps boxes and other 5 more must be walked until card 16 The Tower is reached, in the segment assigned to Taurus. Finally, we must turn around to the previous sector, surrounding the viewers, where other 5 steps boxes complete the counting of 21 major cards (all around the central holes).

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IV. Tarot: the deck

As it can be appreciated in the previous assignation, two groups of chimneys represent two cards: 5 for the Sun and 6 for Saturn. A third group is composed by 7 sculptures that represent Mercury in Gemini. About these three groups, it's easy to associate it with the numeric sequence 5-6-7, which in Tarot practices reminds of cards 14 Temperance (1+4, the Sun on the birth chart), 15 The Devil (1+5, Saturn), and 16 The Tower (1+6, Mercury). Mercury is the connection between inner and outer experiencies, since it's part of a group although is located in the perimeter. By going through it, The Tower and decks of different numeration are connected as well: outer experience (1) and inner experience (0).

Sequence of majors and minors. Card 1 starts in Capricorn. Next, add 14, 15 and the set of 21 cards (coral color) until reaching The Tower (16).

The sequence starts with 1, on an Earth sign (Capricorn) next the Uranus' entrance. And it continues across the perimeter, in staircases going up and down at the entrance of North Node, until meeting Death 13. From there, the counting goes on with card 14 Temperance (Sun) and The Devil 15 (Saturn), after transiting a small bridge. But between The Devil and The Tower there's no direct connection, so in order to connect them we must walk across the perimeter (coral color).

In that area, major and minor cards are joined in a same sequence: from 16 to 20 (5 steps boxes), 21 (chimney), from 22 to 26 (other 5 steps boxes), from 27 to 31 (other 5 steps boxes), and finally from 32 to 36, or the last 5 steps boxes until reaching The Tower, card 16 (Mercury) that had to be connected to card 15 (Saturn). From there, we walk through other 4 steps boxes going down (Taurus) and 3 going up (Aries), so major cards are placed not just next to viewers (0) but also on the perimeter path (1).

The counting ends next to Neptune's entrance, on Aries, the sign of conquerer warriors represented by sculptures of helmets in chimneys. These ones made it possible to deduce the astrological and cards distribution in Milà's top-roof, where major ones are not 22 but 23. But this particular characteristic will be better understood in the item O, 1 & Alchemies.

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V. Astral deviations and omissions

The way Gaudí considered his own birth chart is a key factor to assign cards to chimneys, as well as to design the way to combine different decks. The distribution of minor cards, or suits of the Spanish deck, doesn't take into account the components of a yod on his chart (Part of Fortune, Mercury and Pluto). Whereas the combination of decks does not include several signs: Scorpio (PF), Libra (Moon), Pisces (the hypothetical rising sign) and Aquarius (XII^th House).

Neptune doesn't just rules the chart but is also placed on the I^st House (Pisces ). Uranus rules the XII^th in Aquarius and is the head of a kitte pattern, very relevant in the configuration. The yod pattern points to the PF in Scorpio (IX^th H). Moon in VIII^th is part of a plutonian dilemma (at 90° from each node). In general terms, it seems the cards path has no beginning (rising sign), has no end (XII^th H), has no luck (PF) and has no karmic inclinations either (Moon). More details in Gaudí of the seas.

The yod's chimney is placed between nodes that are not taken into accound (PF in Scorpio). In the chart, Moon is located between nodes.

Different decks basically are combined to connect two major cards to each other: The Devil and The Tower (Saturn and Mercury ). In the birth chart, they're part of an aspectation that subtract motion and flexibility, stops physical matureness and makes it hard to communicate and make small moves in general (semisquare 45° between houses III^rd in Taurus and IV^th in Gemini). The weight of a hammer pattern falls on Saturn as well.

Two important patterns on the right sector in the top-roof: a hammer, and South Node-Moon-Venus (entrances).

The lunar dilemma is simply avoided: Libra (and Scorpio) are not included in countings of the sequence of combined Tarots. Due to Libra dissapearance, Moon in the sign of the balance is not inclined to South or North. Instead, the flow is derived towards Venus, in the pattern formed by the 3 entrances in that sector.

The emphasis on Saturn and Venus shows the way the artist considered his own birth karma and the path he took by making use of his free will, especially about Scorpio's influence (PF) and the VIII^th H (Moon). Combining decks to connect cards 15-16 is for following that astral flow.

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VI. 0, 1 & Alchemies

The counting of major cards is 23 as total due to the fact that two dimensions of the experience have been joined, or two ways to assign numbers to decks, or two opposites. For instance: the Sun is The Hierophant (5) only if the deck starts with 0, in the North Node's entrance, in Cancer on the birth chart. But the Sun only is Temperance (14) if considering the border counting started with 1, in the segment assigned to Capricorn, the opposite sign to Cancer.

These variations of a same opposition, expressed here in Cancer (0) and Capricorn (1), are very important at the time of choosing a deck. About it, Tarot & Alchemy is an article on medium.com telling about the importance of including or not number 0 as a value in Tarot. The practical consequences derived from it are basic, since readings of that kind consider the abscence of development in situations.

The direction of the path in the top-roof also evokes other esoteric echoes. In first place, we move forwards in the cards path if we follow the zodiacal perimeter clockwise, which is a terrestrial perspective (Capricorn, Sagittarius...Virgo, Leo, Cacner, Gemini, Taurus, Aries). So the beginning is in Pisces (feet) and the end is in Aries (head), but the path is like the Sun translation (counterclockwise). Milà shows the same ending but the beginning is indicated by The Magician 1 in Capricorn (knees), the sign where Mars the planet of wars is exalted, make disorders and shakes schemes: these cards path is the path of a warrior, of impulsing desire that elevates people to other kind of ending points.

The series of 21 cards connecting The Devil with The Tower starts precisely with Fragility 16, until Return 22. From there, 14 minor cards takes the lead, and they might represent Water or Earth elements (Cups or Coins-Pentacles), until ending with card 36 of the same deck, Initiation, now in The Tower of the start, again. Then, other 7 cards (steps boxes) lead to Aries.

About the natural element in the transit towards Initiation and The Tower, the aforementioned article on medium.com includes some meditations about it, since considering one element or the other is related to the inclusion or not of 0 value as a number in cards. The subject involves quite extended worldviews about life and the way to transit on experiencies. But let's makes it easier: the cards connection of 21 arcana might be considered as an only process of transformation through the two mentioned elements.

This only process is physical and emotional, and is summarized in card 16: from Fragility to The Tower. The Egiptian deck starts with 1, and its first 14 minor cards are associated to the liquid element. But in Milà House, these cards start in Earth signs: Capricorn (The Magician) and Virgo (Fragility). Similarly, the counting of major inner cards around the viewers considers the beginning is at the North Node in Cancer, and starts with 0. But decks of 0 impulse alchemical transformations in Earth element!...

In terms of design, the outer experience might be related to physical matter of the past (Earth, South Node), and the inner experience to emotional processes in the future (Water, North Node). In alchemical terms, the design joins opposites, whether be decks, zodiacal axis or dimensions of the experience. However, each alchemical path is particular: it's not the same starting with one element or the other, since each one of them implies different paths and processes, even if arriving at a same destiny. Such is the case of Milà's top-roof, where two decks later lead to Fire Alchemy, in the perimiter of Taurus and Aries. Mixing processes started in different elements leads to alterations that push forwards, backwards and blur continuities...

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VII. Majors of 0

Marseille Tarot

The previous combination of decks produces several effects: it pours light on the inner experience (majors of 0 in the perimeter), and adds a misterious instance to Tarot tradition: the strange number 23.

Basically, the outer experience starts in Capricorn with 1, The Magician, and the inner experience starts in Cancer with 0, The Fool. When the physical experience meets the emotional one, the counting only includes those chimneys representing Mars and Jupiter, which are exalted in Capricorn and Cancer, respectively. Mars is chaos for order and logical developments, so it conquers territories and gets corporal victories. Whereas Jupiter brings life during the astral symbiosis in uterus, without differentiating between the own and the alien, embracing it all as being his own property (Cancer).

To the inner path of 0 to The Hierophant (5, Sun) follows The Lovers (6, Saturn) and, since the inclusion of the opposite deck, follows The Chariot 7 (Mercury). Then, the same path becomes external through Taurus, and ends in the only three steps boxes in Aries, which represent The Hanged Man 12, Death 13 and Temperance 14.

The last mentioned card is the end of a path to The Fool in the beginning, in Cancer (0). Hard requirements and immobilities (12), radical transformations (13), and a regulated mood and body (14) seem to be the result. Aries, the final sign, has been templated, through Fire, a transformation mentioned in the item Alchemical numbers.

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VIII. Minors & Elements

Milà's top-roof combines decks of a different kind. Among them, the Egiptian Tarot provides a first alchemical transformative path, between The Weaber (23) and Initiation (36). The process belongs to Water (1) and Earth (0), so the following tables show equivalences of those cards and the Spanish deck, according to the element taken into consideration. About the Alchemy underlying each number in the beginning, visit medium.com.

Water = CupsFire = RodsAir = SpadesEarth = Coins

equivalences of the ONE: Spanish deck & tarot

water	tarot	fire	tarot	air	tarot	earth	tarot
1	23 The Farmer worker	1	37 Art and Science	1	51 Counseling	1	65 Learning
2	24 The Weaver	2	38 Duplicity	2	52 Premeditation	2	66 Perplexity
3	25 The Argonaut	3	39 Testimony	3	53 Resentment	3	67 Friendship
4	26 The Prodigy	4	40 Presentment	4	54 Test	4	68 Speculation
5	27 The Unexpected	5	41 Unrest	5	55 Constriction	5	69 Chance
6	28 The Uncertainty	6	42 Preeminence	6	56 Pilgrimage	6	70 Cooperation
7	29 Domesticity	7	43 Hallucination	7	57 Rivalry	7	71 Avarice
8	30 Exchange	8	44 Thought	8	58 Recapacitation	8	72 Purification
9	31 Impediments	9	45 Regeneration	9	59 Revelation	9	73 Love and Desire
10	32 Magnificence	10	46 The Patrimony	10	60 Evolution	10	74 Offering
Page	33 Alliance	Sota	47 Conjecture	Page	61 Solitude	Page	75 Generosity
Knight	34 Innovation	Knight	48 Consummation	Knight	62 Proscription	Knight	76 Dispenser
Queen	35 Dispair	Queen	49 Versatility	Queen	63 Communion	Queen	77 Disorientation
King	36 Initiation	King	50 Affinity	King	64 Vehemence	King	78 Rebirth

equivalences of ZERO: Spanish deck & tarot

earth	tarot	fire	tarot	air	tarot	water	tarot
1	23 The Farmer worker	1	37 Art and Science	1	51 Counseling	1	65 Learning
2	24 The Weaver	2	38 Duplicity	2	52 Premeditation	2	66 Perplexity
3	25 The Argonaut	3	39 Testimony	3	53 Resentment	3	67 Friendship
4	26 The Prodigy	4	40 Presentment	4	54 Test	4	68 Speculation
5	27 The Unexpected	5	41 Unrest	5	55 Constriction	5	69 Chance
6	28 The Uncertainty	6	42 Preeminence	6	56 Pilgrimage	6	70 Cooperation
7	29 Domesticity	7	43 Hallucination	7	57 Rivalry	7	71 Avarice
8	30 Exchange	8	44 Thought	8	58 Recapacitation	8	72 Purification
9	31 Impediments	9	45 Regeneration	9	59 Revelation	9	73 Love and Desire
10	32 Magnificence	10	46 The Patrimony	10	60 Evolution	10	74 Offering
Page	33 Alliance	Page	47 Conjecture	Page	61 Solitude	Page	75 Generosity
Knight	34 Innovation	Knight	48 Consummation	Knight	62 Proscription	Knight	76 Dispenser
Queen	35 Dispair	Queen	49 Versatility	Queen	63 Communion	Queen	77 Disorientation
King	36 Initiation	King	50 Affinity	King	64 Vehemence	King	78 Rebirth

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IX. Alchemical numbers

Tarot, as a set of 22 cards for initiations in Gizeh pyramid (Egypt), was and still is considered as a game and tool for fortune-telling. The misterious Spanish deck, and later other more elaborated Tarots add 56 minor cards to the ancient 22 ones, and they are all represented in Milà House's top-roof. The second item showed the distribution of the Spanish deck across all the perimeter. The fourth item, now in the astrological representation of Gaudí's birth chart, displayed 7 major cards and 13 Egyptian minor cards, both combining two dimensions of the experience (decks of 0 and 1). Finally, the Egyptian minor cards are also distributed all across the perimeter:

Minor cards of the Egyptian Tarot. Count by following the same criteria for the Spanish deck: only staircases in the perimeter and two chimneys (Mars and Jupiter).

Number 5 seems to be very important: 12 staircases (the number of zodiacal signs) of 5 steps boxes each one, and 5 areas for warriors all across the perimeter. 5 is the number of knowledge, human ability to reason, science, mathematics and consciousness.

One of the five areas for warriors is assigned to Mercury, a planet outstanding in a design that shows at the same time several characteristics: it's represented by a group, such as internal warriors are, but is placed on the perimeter, such as solitary ones are. So the planet fulfills several functions. In the emotional experience, it's card 7 The Chariot (decks of 0), and in the physical experience, is card 16 The Tower (combined decks).

But Mercury is also the planet of words, narrations and commercial counting. So it starts a new counting with card 36 Initiation, until it happens a second transformation that only considers warriors (no steps boxes) inside of a Fire Alchemy. In the process, Pluto in Taurus is a solitary one in the Egyptian order 37 Art & Science (by the time of Gaudí, Pluto had not been discovered yet, so the artist surely had identified another element on his birth chart located at the same place).

This is an initiatory sequence based on number 7, which suggests a transformation that takes place only if digits are reduced to an only one cypher. In esoteric practices, this is the usual way to read Tarot cards, trying to unite digits to set an only path. In this constant disposition, after Initiation we walk through a septenary: Pluto is The Magician 1 (Art & Science 37, Retribution 10), Mars is The High Priestess 2 (Duplicity 38, Persuation 11) and Jupiter is The Empress 3 (Testimony 39, The Hanged Man 12). Next, the aforementioned two inner groups are taken into account, cards 14 and 15 reduced to 5 and 6.

But this view about arcana represents the particular astrological experiences of the artist, since it excludes PF from counting (like a private renunciation of Gaudí). Besides, the septenary is not complete yet because number 4 is not represented. In order to fulfill this requirement, the previous scheme of Egyptian minor cards indicates the place to find the card. In this case, the requirements are: the sum must return 4, it has to be placed on a sign (segment) that it is included in countings, and a chimney must be located at that place. Recapacitation 58 fulfills the requirements and is assigned to the four planet (Venus' entrance), under the form of The Emperor 4 (Recapacitation 58, Immortality 13).

Gaudí's initiatory septernary

Planet	Egyptian Tarot	Alchemy
Pluto	The Magician 1	Ace of Rods
Mars	The High Priestess 2	2 of Rods
Jupiter	The Empress 3	3 of Rods
Venus	The Emperor 4	8 of Spades
Sun	The Hierarch 5 *	-
Saturn	Indecision 6 *	-
Mercury	Triumph 7 **	King of Cups
		King of Coins
* They're internal. ** It's internal and external. As a final product of an Alchemy started with 36, is 7 (inner) or 16 (perimeter).

Egyptian Tarot deck © Ed. Kier

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X. Cards Transformations

# 1 Start

Milà's Tarot is the repetition of a path formed by minor cards in the perimeter, or the Spanish deck. The path is changed only under specific conditions and processes.

# 2 Conditions

The architecture of the top-roof suggests private astrological choices of Gaudí. Fortune has been displaced out of consideration, such as the past, the future seed, and the beninning and end of life. According to it, four signs of his birth chart are not included in progressive countings: Scorpio (PF), Libra (Moon and karmic choices, in VIII^th House ruled naturally by Scorpio), Pisces (Asc) and Aquarius (XII^th H). Without those resignations, paths will be iterated, and other ones will remain out of reach.

# 3 Water-Earth Alchemy

If those resignations, inner-outer experience (combined decks) creates a first path of Water-Earth processes in Egyptian cards from 16 to 35. The paths lead to some kind of destruction, indicated by both The Tower 16 and Initiation 36 (Mercury).

# 4 Alchemy of Fire

If the previous takes place, then an alchemical path begins with Fire, or 7 phases of exterioriation, visibility, awakenings and consummation, until matter and fuel are templated. The process progresses if experiences are added and products are reached: x + y = z. In the Egyptian Tarot, it's the sum of cards digits from 37 to 40 and 58, until each number is reduced to an only cypher. The basic sequence is between The Magician 1 and Triumph 7. For instance: tranforming a dire and destructive situation (The Tower 16) by adding components towards a new path and life projections (The Chariot 7): we have to sum creativity (1) and relationships-feelings (6).

# 6 End of the warrior

It might happen according to two variances. In external beginnings (decks of 1), final Fire starts with The Tower 16. In internal beginnings (decks of 0), the final Fire starts with The Chariot 7. In both situations, 7 steps boxes have to be walked all along Taurus and Aries: from card 17 to 22, plus the misterious 23, or in the sequence 8-14, with Temperance 14 as the final step box.

# 7 Scorpio: main character

An Alchemy of 7 is present in the beginning and the end of the path: 7 steps boxes assigned to the set Capricorn - Sagittarius, and 7 steps boxes to Taurus - Aries. Again, a particular preference of Gaudí is included here, since those segments include warriors representing Mars and Pluto, the ancient and current ruler of Scorpio: a sign of Water where fortune hides, death comes, desire lives and life is regenerated by the Sun.

# 8 Air Alchemy

Whatever be the final card, an Air Alchemy is the last transformation now including in a same sum staircases and grouped warriors. Air is light-weighted, more than other elements. With it, gravity dicreases, which allows eluding steps, elevate and reach other states with more fluency. This has been possible by the sum of digits during Fire changes. In inner starts (decks of 0), the path goes on from Temperance 14 towards The Devil 15 (Sun, 10 + 5), The Tower 16 (Saturn, 10 + 6), The Star 17 (Mercury, 10 + 7), plus 8 cards in Taurus and Aries (7 + 1). This path ends with The Argonaut 25. In outer starts (decks of 1), to the misterious 23 follows The Weaver 24 (Sun), The Argonaut 25 (Saturn) and The Prodigy 26 (Mercury), with the last 8 cards leading to Innovation 34. In both circumstances, the two decks do coincide now since the final reduction is 7. Note: in the last phase of 8 cards, the warrior is a solitary one, so 7 and 1 are not added together.

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XI. Decks & Planets

Beyond personal circumstances of the artist, Milà's top-roof also shows different traditions in Tarot, whether be because of the inclusion or exclusion of 0, whether be because of the planets sometimes associated to cards. But one assignation or the other is not defined separately but according to a set of relations it belongs to. The whole defines each card's function and the process across the path, since the activation depends on previous certain instances have taken place or not: each element itself has no meaning at all.

For instance, some classic decks associate The Magician 1 with Mercury, which effectively starts a second Alchemy when counting warriors. But the association would be a theoretical extraction from the design in the top-roof, since it's been said before that Mercury as number 1 only starts with Fire if Initiation 36 of the Egyptian deck has taken place, which means if the transformation indicated by the 20 previous cards have happened, in previous segments.

Other cards traditions are represented in the Egyptian Tarot deck by Kier Ed., which turns towards West the observation from the viewers. In this deck, the Sun is associated to The Magician and to a series of cards including Pluto. In the same way, it's been observed that digital reductions from Pluto, since Art & Science 37 in this second Alchemy, finally lead to 1. The planet was just discovered in 1930, after the the death of the artist but, anyway, both here as in Gaudí of the seas has been included as a signifier of the artist's characteristics displayed in his artpieces. If the warrior in Taurus doesn't represent Pluto, the cards counting is not modified, nevertheless. The warrior effectively is included in Fire and Air Alchemies, and could be related to some other element on Gaudí's birth chart he had identified.

The same deck also seems to reconsider the circuit of Air, after Fire. Whether be with The Argonaut 25 or Innovation 34 in Neptune's entrance, the deck assigns number 7 to Neptune, 8 to Saturn (Unrest 35), 9 to Mars (Initiation 36), 10 to Pluto (Art & Science 37) and 1 to the Sun (The Magician, reduction), 2 to Moon (Duplicity 38), 3 to Jupiter (Testimony 39), 4 to Uranus (Impediments 31), 5 to Mercury (Magnificence 32), 6 to Venus (Alliance 33), and iterates the circuit until ending in Venus' entrance, with card Rebirth 78.

In this distribution, Gaudí's PF in the top-roof is replaced by Moon. In that place, PF is between nodes, as the luminary is in the birth chart. When turning the global vision to the West, Uranus remains in the access that would be assigned to Moon. Other important characteristic is that the ending (Saturn, death) is associated to Venus, a planet involved in material and sexual resignations that Gaudí accepted in his life, along with the emphasis in stones, bones and tombs (Saturn).

The deck also counts on a particular characteristic: cards 11 to 22 are assigned to planetary exaltations. But it doesn't include Mercury's exaltation in Aquarius, which would be expeced to find in card Transmutation 21: a high level of sound volume is not compatible with Alchemy because some sounds cover other ones...

Instead, Uranus is assigned to the card, whose numeric reduction points to Jupiter (3), which indicates an union, or conjunction in astrological terms. In the birth chart, Jupiter is placed on Scorpio and is the origin of an important pattern pointing to Uranus. But the pattern is gone if planets are conjuncted. Again, Gaudí's inclinations seem to be included in the planetary assignments of the deck.

Finally, Uranus' exaltation in Scorpio is assigned to Twilight 18 in Kier's deck (other decks name it Moon). Clearly, the deck of the editorial has replaced the artist's Moon by Uranus, a planet already discarded by the suggested conjunction. In this ordering, the view from the top-roof towards West mainly focuses on an entrance that has remain unassigned. Similarly, Guadí removed his own birth Moon from the flow towards his own nodes, and took it to Venus: in the top-roof he directly replaced its place by the PF that wasn't taken into account, either. The end for birth Moon, Uranus and PF, all discarded, is also the final card of Kier's deck, with card 78 assigned to Venus.

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